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Selected Solo Exhibitions
New Work, Robischon Gallery, Denver, CO 2010
Conversations, Atrium Gallery, St. Louis. MO 2010
Yellow, Light, Black, White Galerie Dagmar Aicholzer, Vienna, AUS 2010
Tickling Thicket, Johansson Projects, Oakland, CA 2008
Accumulations and Constructions: Recent Work,
Carl Solway Gallery, Cincinnati, OH 2008
a SEASON SWIRLING (unfurling), Missoula Art Museum, Missoula, MT 2008
Poetic Constructions, Atrium Gallery, St. Louis, MO 2008
SplendorRot, Greg Kucera Gallery, Seattle, WA 2008
New Work, Patricia Faure Gallery, Santa Monica, CA 2006
Vital Fluid, Manhattan Beach Art Center, Manhattan Beach, CA 2005
New Work, Greg Kucera Gallery, Seattle, WA 2005
Fall, Boise Art Museum, Boise, Idaho 2005
Forms & Forces, Neuhoff Gallery, New York, NY 2005
Degrees of Appearance, Suyama Space, Seattle, WA 2003
Fall, Art Chicago, Chicago, IL 2003
New Work, Greg Kucera Gallery, Seattle, WA 2002
Drawings & Accumulations, Commencement Art Gallery, Tacoma, WA 2002
Calamity Blooming, King County Arts Commission Gallery, Seattle, WA 2002
Wings and Other Things, Missoula Art Museum, Missoula, MT 2001
In November, University Center Gallery, University of Montana, Missoula, MT 1997
In the Space Between, Soil, Seattle, WA 1997
In Visible Links, King County Arts Commission Gallery, Seattle, WA 1997

Selected Group Exhibitions
Twist and Crawl, NAID, San Francisco, CA, curated by Timothy Buckwalter 2011
Forecast, Washington State Convention Center, curated by Lele Barnett 2010
Expansions, Robischon Gallery, Denver, CO 2010
Art + Space, Project4 Gallery, Washington, DC 2010
Made in the USA, Greg Kucera Gallery, Seattle, WA 2010
Phantasm, Tarryn Teresa Gallery, Los Angeles, CA 2009
My Certain Fate, Pharmaka, Los Angeles, CA, curated by Timothy Buckwalter 2009
Collective Compulsions, Johansson Projects, Oakland, CA 2009
Century21, Wright Exhibition Space, Seattle, WA 2008
Natural Obsessions, Neuhoff Gallery, New York, NY 2008
Flourish, Robischon Gallery, Denver, CO 2008
25th Anniversary Show, SAM Gallery, Seattle, WA, curated by Barbara Shaiman 2008
Pink III, Arena One Gallery, Santa Monica, CA, curated by Heather Harmon 2007
Other Worlds, Jacksonville Museum of Contemporary Art, Jacksonville, FL 2007
Today's Voice: Exploring Alternative Applications, Neuhoff Gallery, New York, NY 2005
Resurfaced, Boston University Art Gallery, Boston, MA , curated  by Joshua Buckno 2005
Landscape: Theme and Variations, Schneider Museum, Ashland, OR curated by Josine Ianco Starrels 2005
Chengdou International Biennale, Chengdou, South Korea curated by David Revere McFadden 2005
Seattle Collects: 2003 Award Winners, City Space 2003
Bank of America Tower, Seattle, WA 2004
Earthly Delights, Mass Art, Boston, MA, curated by Lisa Tung 2004
States of the Union, Greg Kucera Gallery, Seattle, WA 2002
Northwest Annual, Center on Contemporary Art, Seattle, WA, curated by Linda Farris 2002
Project 18, Sand Point Arts & Cultural Exchange, Seattle, WA, curated by Katie Kurtz 2002
Connections: Man, Wilderness, and Civilization, University of Montana, Missoula, MT 1999
Well Being and Major Disorders, ILK Gallery, Denver, CO 1998
Waterweighs, Art Museum of Missoula, Missoula, MT, curated by Barbara Brady 1997

Public Art Commissions
cloudwaterline (Horizon), Jackson Federal Courthouse, Jackson, MS, Architecture by Hugh Hardy 2011
Cascade (Curls) 2, The Cosmopolitan, Las Vegas, NV 2010
Grasswave, University of Michigan, Ross School of Business, Ann Arbor, MI 2010
Willowcloudwavescape, King County Correctional Facility, Seattle, WA 2009
Willow's Undercurrent 5, Woodmont Library, Des Moines, WA 2008
Blue Falls, The Ascent, Covington, KY, Designed by Daniel Libeskind 2008
Twin Falls, Twin Parks, Taichung, Taiwan 2008
Wind's Reflection, Horizon House, Seattle, WA 2007
Blue Falls, Conoco Phillips Corporation, Houston, TX 2007
Earth Heart Spring, Swedish Medical Center, Seattle, WA 2004

Awards
GAP Grant, Artist Trust, Seattle, WA 2009
Oxbow School Visiting Artist Fellowship, Oxbow School, Napa, CA 2008
Seattle Collects Purchase Award, Office of Arts and Cultural Affairs, Seattle, WA 2003
Missoula Trust for Artist Grant, Missoula, MT 1997
Best of Show Award, Pacific Northwest Annual, Bellevue Art Museum, Bellevue, WA 1996
Best of Show Award, Pacific Northwest Annual, Bellevue Art Museum, Bellevue, WA 1994

Education
Master of Fine Arts: Painting, University of Washington, Seattle, WA  1994
Bachelor of Fine Arts: Drawing, Painting, Printmaking, Iowa State University, Ames, IA 1992

Collections
Boise Art Museum
Mandarin Residential, City Center, Las Vegas
City of Seattle
Conoco-Phillips Corporation
Harborview Medical Center
Iowa State University
King County Correctional Facility
King County Library System
Mc Nay Museum
Missoula Art Museum
Ross School of Business, University of Michigan
Swedish Medical Center
Twin Parks, Taichung, Taiwan
US Art in Embassies: Mumbai and Baghdad
Vinson & Elkins

Selected Bibliography
Beall, Dickson. “…an Eloquent Conversation, “ Westend Word, July 07, 2010
Paglia, Michael. “Robischon shows off…,” Denver Westword, June 03, 2010
Watterson, Zachary.  “Beyond these Walls,” City Arts, Seattle, March 2010
Roth, David. National Reviews, Art LTD, Jan 2009
Schnorr, Chris. “Northwest Artists and the New Sculpture,” Boise Weekly, December 17, 2008
Durrell, Jane. National Reviews, Art Papers, September/October 2008
Paglia, Michael. “Flourish to Wither Away,” Westworld, Jun 20, 2008
Kilduff, Angela. “Bold Color, Varied Approaches,” Cincinnati City Beat, May 21, 2008
Ellis, Simone. “A Season Swirling Soft as Stone” Missoulian, April 24, 2008
Beall, Dickson. “Glasgow, Stone Offer Contrasting Views of Nature,” West End Word, March 5, 2008
Hunter, Pamela. “From Gesture to Monument”, Studio 707, February 27, 2008
Grant, Adriana. “Steel Wind,” Seattle Weekly, January 16, 2008
Frank, Peter. “Pink III,” LA Weekly, March 7, 2007
Buckley, Annie. “Katy Stone and Lynn Foulkes,” ARTWEEK, February 2007
Frank, Peter. “Lynn Foulkes and Katy Stone,” LA Weekly, November, 22, 2006
Schnorr, Chris. “Embodiments”, Sculpture Magazine, September 2006
Goldman, Edward. “...Only One Worth Driving For,” Art Talk KCRW, November 17, 2005
Weaver, Hannah. “Age Old Medium Resurfaced,” Tufts Daily, September 20, 2005
Landscape: Theme and Variations, Schneider Museum. Essay by Josine Ianco Starrels
Schnorr, Chris. National Reviews, Art in America, August, 2005
Katy Stone, Forms + Forces, Neuhoff Gallery.  Essay by Judy Wagonfeld
Soil, Artist Run Gallery 1995-2005, Soil Publications. 2005
Flynn, Nancy.  “Fall Review,” Pen Ink River, June, 10, 2005
Schnorr, Chris. “Painting as Sculpture,” Boise Weekly, May 4, 2005
Fall, Boise Art Museum.  Essay by Sandy Harthorn.
Norris-Curtis, Molly. “Poetic Coalescence,” Art Access, February, 2005
Farr, Sheila. “Visual Arts Pick,” Seattle Times, January 14, 2005
Engelson, Andrew. “Visual Arts Pick,” Seattle Weekly, January 28, 2005
Hackett, Regina. “Seattle Collects Samples a Vibrant Art Scene,” Seattle PI, July 9, 2004
Earthly Delights, Massachusetts College of Art.  Essay by Lisa Tung
Degrees of Appearance, Suyama Space.  Essay by Rhonda Howard
Richman, Elsie. “Visual Arts Pick,” Seattle Weekly, December 24, 2003
Kangas, Matthew. “Respite from Cold and Grey in Belltown,” Seattle Times, Dec. 5, 2003
Hall, Emily, “Rocks, Blocks, and Eyelashes,” Seattle Stranger, December 25th, 2003
Wagonfeld, Judy. “Nature's Soul and Spirit Make a Joyful Appearance at Suyama”
Seattle PI, November 21, 2003
Hackett, Regina. “Fitch's Sphinx's Embody a Knack for Surprise,”
Seattle Times, August, 27, 2002
Platt, Susan. “Palimpsests,” Art Access, September 2002
Wagonfeld, Judy. “Material Meets Immaterial in Elusive Art,” Digital City
Seattle, July 6, 2002
Graves, Jen. “The World in 2 ½ D,” Tacoma News Tribune, July 5, 2002
Gunter, Lisa. “Heart of Stone,” Tacoma Reporter, June 20, 2002
Hall, Emily. Stranger Review, Seattle Stranger, March 21, 2002
De Pastino. Blake,“A Whim and a Prayer,” Missoula Independent, March 22, 2001
Jones, Sherry. “Ceretana Open House,” Missoulian, August 11, 2000
Brady, Barbara. “In November,” National Reviews, New Art Examiner, March 1998
Hackett, Regina. Northwest Annual Review, Seattle PI, April 15, 1995

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